But they liked the world I built.
I've heard it before, that I am obviously a feminist writer, as if it is something I am attempting to achieve and be. All I do is write the worlds I know.
I've heard it before, that I am obviously a feminist writer, as if it is something I am attempting to achieve and be. All I do is write the worlds I know.
I had one publisher rejection that told me a story without a male lead was a hard sell, but a story with no predominant male characters was "unrealistic" and the thought of a story with no men in it was just a waste of my time and energy. He really did like my writing, he assured me, but that was a glaring error. (After his notes I was grateful he passed on my story.)
I grew up in a working class neighborhood where all but one father worked days, so that my daily world was peppered with women as the authority figures. (As a child I thought teachers were women and principals were men.)
I write what I know. Strong women, indecisive women, lost women, and sometimes there are men in their lives.
Maybe that makes me a feminist writer. The business is what it is but it makes me sad that there's a separate literary category to represent a world population that's predominantly female. To me, that's what should be mainstream. That's the reality.
I grew up in a working class neighborhood where all but one father worked days, so that my daily world was peppered with women as the authority figures. (As a child I thought teachers were women and principals were men.)
I write what I know. Strong women, indecisive women, lost women, and sometimes there are men in their lives.
Maybe that makes me a feminist writer. The business is what it is but it makes me sad that there's a separate literary category to represent a world population that's predominantly female. To me, that's what should be mainstream. That's the reality.
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